Theses/Dissertations from 2016
POP ART - MAKE IT SIGNIFICANT, MAKE IT LAST: LAWRENCE ALLOWAY'S EVOLVING THEORY ON POP ICONS, Marquette Dionne Bateman-Ek
CONVERGENCE AND RESTORATION: ASMAT ART THROUGH THE WRITINGS AND DRAWINGS OF TOBIAS SCHNEEBAUM, Gretchen Michelle Burau
Framing the Narrative: Alchemical Psychology and Pictorial Devices in Une Semaine de Bonté by Max Ernst, Sarah Crandall
Das Berliner Schloss and Humboldt Forum: A Contemporary Repository of Cultural Identity, Rachel Florence Goldstein
Creating the Mona Lisa: Isabella d’Este’s Influence on Leonardo da Vinci’s New Portrait Type, Megan Harrington
Visual Culture, Ritual, and Landscape at the Holy Wells of St. Brigid in Ireland, Clare Ave Monardo
Rubrics and Recitations: Books of Hours in Public Influencing the Protestant Reformations in England, Nicole Alexis Sheridan
Heritage Redefined: Post-Preservation and the Historic Ford Center, Hayley E. Stoen
Theses/Dissertations from 2015
A PLATFORM FOR IDENTITY: USING LARGE-SCALE EXHIBITION TO POSITION BAHIA, BRAZIL’S CONTEMPORARY CONDITION, Angela Kay Daniels
Whatever You Want Me to Be: The Purse, Identity, and Exchange in Ancient Greece, Zachary John Forstrom
Whatever You Want Me to Be: The Purse, Identity, and Exchange in Ancient Greece, Zachary John Forstrom
Anxiety in Experience: H.R. Ginger's Swiss Bars, Abigail Hall Gilmore
ENTREPRENEURIAL ABOLITION: RE-EXAMINING THE PORTRAIT CAREER OF JOSHUA JOHNSON, Alex Kermes
Reality in Fantasy: Disneyland's New Orleans Square, Nyssa Yau-Mei Lee
The Thesmophoria of Morgantina, Jennifer Lynn Smith