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Theses/Dissertations from 2021

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Birds and the Intersectionality of Class, Gender, and Environment in AGNES GREY and JANE EYRE, Rachel Fergus

Theses/Dissertations from 2020

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Fashioning a Feminist Utopia: The Significance of Dress in Charlotte Perkins Gilman's HERLAND, Michaela Brownell

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"The Back Thought in My Mind Is Always You": Olive Schreiner's and Willa Cather's Revisions of the Bildungsroman, Amanda Elizabeth Charron

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Feminist Forms and Borderless Landscapes in Ali Smith's Seasonal Quartet, Tove Lilith Conway

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A Badly Turned Angle: Domestic and Maternal Spaces in THE HAUNTING OF HILL HOUSE, Mara Terese Gawarecki

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The Means of an End: A Study of the Serial Endings in BLEAK HOUSE, Joshua S. McCaffrey

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The Architecture of Narrative Reciprocity in Ali Smith's HOW TO BE BOTH, Mary Elizabeth McCartney

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Producing Visibility and Community in Ciudad Juárez: Returning to Gloria Anzaldúa's BORDERLANDS/LA FRONTERA, Cali Joy Mellin

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Theorizing Code Brokering: Bridging Monolingual and Multilingual Students through Literacy Skills, Erica J. Oswald

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H.G. Wells's The Time Machine: A Reexamination of a "Scientific Romance", Sarah Jane Pavey

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Louisa Gradgrind's Imaginative and Emotional Development: Spaces of Solitude in Charles Dickens's HARD TIMES, Meaghan Virginia Scott

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Visuality, Consumerism, and the New Woman: Gordon Browne's Illustrations for THE SORCERESS OF THE STRAND, Amy Katherine Valine

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Empowering Children through Storytelling: A Fairy Tale Curriculum for Middle School Students, Abby Young

Theses/Dissertations from 2019

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The Possibilities and Limits of Recognizing the Other in Humanizing Narratives: A Marxist Reading of Arundhati Roy’s WALKING WITH THE COMRADES and Óscar Martínez’s THE BEAST, Alyssa Adkins

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Un-Dead Girl Walking: Unearthing a Feminist Alternative to Problematic Media Tropes, Molly Ann Behun

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"Begun in Ireland and Finished Elsewhere": Digital Methodology and the Study of J. Sheridan Le Fanu's "Shamus O'Brien", Scott Larkin

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"Begun in Ireland and Finished Elswehwere": Digital Methodology and the Study of J. Sheridan Le Fanu's "Shamus O'Brien", Scott Larkin

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Embracing Difficulty: The Challenge of Teaching Shakespeare's Language, Carly Joy Vail Lewellen

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Crossing Linguistic Borders: A History and Exploration of Multilingualism and Identity Formation in the Secondary English Classroom, Rebecca Laura-June Ney

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Reason, Sensibility, and Harnessed Trauma in Mary Wollstonecraft's Epistolary Writing, Claire Prescott

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Reason, Sensibility, and Harnessed Trauma in Mary Wollstonecraft's Epistolary Writing, Claire Prescott

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Driving Home: Frank Ocean, Philando Castile, and the Death of Privacy, Jon Santos

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The Future of Blended Learning: My Foray onto Twitch, Devan Tozzo

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Frivolity and Fainting in LOVE AND FREINDSHIP and "The Mystery": Reinterpreting Nonsense in Jane Austen's Juvenilia, Amy Vander Heiden

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Fresh Oranges, Jadea Marie Washington

Theses/Dissertations from 2018

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Plotting a Pragmatic National Philosophy: William Wells Brown's CLOTEL; OR THE PRESIDENT'S DAUGHTER (1853), Lisa Marie Brimmer

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SUDEP: A Rhetorical Ecology of Grief, Katelyn Brunner

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Practicing the Work of Worms: Lyric Voice, Grievable Lives, and Exile in Solmaz Sharif's LOOK, Maria Louise Capecchi

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Establishing a Future by Creating in the Present: Reading Resistance in the Literature of Indigenous Futurisms, Kerry Anne Kramer

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Resisting Patriarchal Domination: The Female Gaze and Medusa Figures in THE AWAKENING, Keelia Estrada Moeller

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Resistance, Growth, and Self-Critique in the Jewish Newspaper Press, 1881-1889, Hannah Joy Sajban

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"The Limits of the Imaginable": Women Writers' Networks during the Long Nineteenth Century, Andrea Jean Stewart

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Frocks and Feminism in Evelyn Waugh's DECLINE AND FALL and VILE BODIES, Katie Marie Wynn

Theses/Dissertations from 2017

Confidis te Ipsum: Edna Pontellier's Transcendental Journey Towards a Life of "Self-Reliance", Jennifer Bunkers

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Transformation Location: How Guthlac Became a Desert Father, Jeremiah Davis

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The Reality of Being a Magical Girl: MADOKA MAGICA'S Empowerment through Subversion, Angela Drennen

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The Disruptive Power of Frame Narratives in Mary Shelley's KEEPSAKE Tales, Kaari Elizabeth Newman

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Pedagogy for the Privileged in the First-Year Writing Classroom: An Exploration of Autoethnography as a Teaching Tool, Arianne Peterson

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Pedagogy for the Privileged in the First-Year Writing Classroom: An Exploration of Autoethnography as a Teaching Tool, Arianne Stewart Peterson

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A Teacher's Reference to Selecting and Teaching a Text in Translation, Kristine Putz

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"You Are There": Blurred Boundaries, Touristic Reading, and the Human Rights Novel, Amy G. Segelbaum

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"An Adventuress I would Be": Delineating Modern Womanhood through MISS CAYLEY'S ADVENTURES in the STRAND MAGAZINE, Mercedes Sheldon

"An Adventuress I Would Be": Delineating Modern Womanhood through MISS CAYLEY'S ADVENTURES in the STRAND MAGAZINE, Mercedes Margaret Sheldon

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Thoreau, BLOOD MERIDIAN, and the Myth of the Gunslinger, John VanOverbeke

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L.T. Meade, the FEMME FATALE, and the FIN DE SIÉCLE Literary Marketplace, Chelcy Walker

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A Critical Edition of Amy Levy's 'Sokratics in the Strand', Linda Wetherall

Theses/Dissertations from 2000

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Another Kind of Clay: A Reading of Blood Meridian, Dan Gjelten

Theses/Dissertations from 1999

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Making Sense of Joe Gould’s Secret, James Silas Rogers