Title
Formal Analogies in the Texts and Paintings of Ernest Hemingway and Paul Cézanne
Document Type
Book Chapter
Annotation
Details Hemingway’s contact with Cézanne and the painter’s influence on Hemingway’s work, especially in the development of his theory of omission. Hermann argues that, like Cézanne’s works, Hemingway’s concise prose relies heavily on context and repetition of key words rather than on pure description or commentary.
Published in
Date
1994
Pages
29-33
COinS
Citation
Rosen, Kenneth, ed. Hemingway Repossessed. Westport: Praeger, 1994.