Title
Wharton, Hemingway, and the Advent of Modernism
Document Type
Book
Annotation
Collection of twelve critical essays comparing Wharton and Hemingway as modernists, exploring their thematic, biographical, and aesthetic overlaps.
Date
2019
COinS
Citation
Tyler, Lisa, ed. Wharton, Hemingway, and the Advent of Modernism. Baton Rouge: Louisiana State University Press, 2019.
Book Chapters
Introduction
Hemingway and Wharton: Both Modernists
From Wharton to Hemingway: The Evolution of Modernism
Sewing Up the Tears: Medical Systems and the Great War in Wharton's and Hemingway's Short Fiction
Gender, Philanthropy, and the Great War in the Works of Wharton and Hemingway
Emancipated from Baedeker: Wharton and Hemingway in Italy
Dawn and Decline: Contrasting Spaces in Wharton's "False Dawn" and Hemingway's "A Very Short Story"
Too Bad Hemingway Never Reached The Reef: Wharton's Anna Leath and Hemingway's Brett Ashley
Wharton, Hemingway, and the Architecture of Modernism: Gendered Tropes of Architecture and Interior Decoration
Motor Flight: Gender, Power and the Automobile
Wharton, Hemingway, Ecclesiastes, and the Modernist Impulse
Modernism Delayed, Not Denied: Wharton, Hemingway, and Scribner's Magazine
Wharton to Hemingway to Highsmith: American Noir Comes of Age